Mad Men’s January Jones: I’ve "Embraced" Fat Betty!
Michael Yarish/AMC
One of the biggest shocks of Mad Men‘s fifth season was the reveal that Betty had put on considerable weight between seasons. Given that the actress playing her is the svelte January Jones, lots of prosthetics are used to create “fat Betty.” For Jones, it’s been a rocky transition from Don Draper’s (Jon Hamm) skinny and put-together wife to season-six Betty.
“It’s been an acting challenge and a physical challenge,” she admits. “But I’ve really embraced it, and I love where [creator Matthew Weiner] has taken the character.”
NEWS: Mad Men‘s Jessica Paré steals Mrs. Draper’s ’60s style
Jon Hamm is also grateful for where Don Draper has taken him, and he knows that Mad Men is a special kind of show that comes every once in a great while.
“I love my job,” he gushes to us. “The fact that I get to work on a show that has been so deeply rewarding personally and rewarded in the cultural is great. There aren’t a lot of them out there.”
And we all know that Hamm is not a one-trick dramatic pony. With his hilarious roles on Saturday Night Live, 30 Rock and Bridesmaids, fans are chomping at the bit to get more comedic turns from him. Unfortunately, Hamm played coy when we asked him when we’ll see him exercise his funnybone next.
VIDEO: Mad Men‘s Jon Hamm and Elmo Talk Art on Sesame Street—Watch Now!
“We’ll see. It’s usually not up to me,” he tells us. “It’s up to the people who ask me.”
Your heard him, Hollywood. Get to writing some funny parts for him!
To hear more from the Mad Men cast, including how Jessica Paré dealt with “Zou Bisou Bisou” fame, watch our exclusive interviews below!
Tune into E! News tonight at 7 p.m and 11:30 p.m. to see more from the Mad Men stars!
—Reporting by James Chairman
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Categories: Fat Loss Diary Tags: Jon Hamm, Mad Men, Matthew Weiner, Saturday Night Live
The ‘Mad Men’ Season 6 Premiere: ‘Fat Betty’ Has Become ‘WTF Betty’

Every week for the sixth season of AMC’s acclaimed series Mad Men, our roundtable of Eleanor Barkhorn (Sexes editor, TheAtlantic.com), Ashley Fetters (editorial fellow for TheAtlantic.com’s Entertainment and Sexes channels), and Amy Sullivan (National Journal correspondent) will discuss the latest happenings at Sterling Cooper Draper Pryce.
Barkhorn: Don’s cheating on Megan. Don’s cheating on Megan. Don’s cheating on Megan.
Whenever I thought about Mad Men in the 10 months since the Season Five finale aired, the first thing that came to mind was, “I really hope they don’t have Don cheat on Megan.” An overarching question that Mad Men has posed throughout its run is, Can a person change? Don’s fifth-season transformation from miserable, lying, cheating husband of Betty to happy, forthright, faithful husband of Megan seemed to maybe, possibly answer this question in the affirmative. But the season’s closing scene—Don at a bar, “You Only Live Twice” playing in the background, about to answer a pretty blonde who’s asked if he’s alone—was a reminder of just how fragile Don’s transformation is. One word, and he’s back to the old Don.
I wanted season six to show us Don hadn’t said yes, that he remained committed to his reformed self. Mad Men has already demonstrated how low Don can go. How much more interesting would it be to see what it takes for him to be happy long-term? So many shows right now are obsessed with the depths of human darkness—Breaking Bad, House of Cards, Game of Thrones—that happy Don seemed like a compelling way to break the mold.
But but but, as we find out toward the end of the season six premiere, Don is back to his old ways. He’s having an affair with a neighbor. Who’s also married. To the really nice doctor Don has become friends with. Such good friends that both the mistress and the doctor husband celebrated New Year’s Eve with Don and Megan. Sigh.
But he’s not the old Don—not entirely, anyway. He expresses guilt for his transgressions, something he never did when he cheated on Betty. When his mistress asks what his New Year’s resolution is, he responds, “I want to stop doing this.” She says, “I know,” implying that he’s expressed the desire to cut off the affair before. This guilt-wracked Don is different from first-season Don, who was so in denial about the fact that he already had a wife, he tells his mistress, “We should get married.” Don’s guilt shows he sees Megan as a person who’s capable of being hurt. He never got there with Betty. So, progress?
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Otherwise, Don seems in even worse shape than he was in the pre-Megan era. The season opens with the two of them on a trip to Hawaii, and as the episode follows them from the beach to the bedroom to the dinner table, Megan does all the talking and Don is silent. The first words we hear him speak (other than a voiceover of him reading Dante’s Inferno at the very beginning) is at the hotel bar, where he’s gone to escape in the middle of the night. It’s not quite clear why Don’s shutting Megan out. Maybe it’s guilt over the affair, or perhaps he’s jealous of her professional quasi-success. She has a minor but growing role on a soap opera, and one day she unexpectedly gets called in to work, leaving Don to his own devices. He gets so drunk he throws up at Roger’s mother’s funeral, in front of an aghast (and entirely sober) group of mourners.
The most dramatic sign of his unhappiness is the ad campaign he pitches to the Hawaiian resort: the image of a man who’s leapt out of his clothes, with the tagline “Hawaii—the jumping-off point.” It makes everyone in the room think of suicide. The baffled client stammers, “I think, and I think people might think, that he died.”
Are we viewers supposed to think Don is headed for a similar fate? It seems too obvious, and yet… Ashley, what did you think of Don’s lapse back into cheating and darkness? And what about the other parts of the episode?
Fetters: Yep, Don’s cheating on Megan. I wish I were surprised.
Andy Greenwald at Grantland wrote a terrific piece this week asserting that what makes Mad Men great is its sense of dread, of tragic inevitability. Its drama doesn’t come from will-they-or-won’t-they arcs, he wrote, but rather from the agonizing wait for the other shoe to drop; in other words, Mad Men is a show about when, not a show about if.
I couldn’t agree with Greenwald more, especially on the sad topic of Don’s aborted change of heart. For me, his stint as a loyal husband felt like the prelude to an inevitable relapse into his trademark Don Draper ways.
If last season brought us Fat Betty, thus far it looks like this season’s incarnation might be Lonesome and/or Weird Betty
But let’s not pretend that phase was a complete transformation on Don’s part, either. Just because Don’s refrained from sleeping around doesn’t mean he and Megan have a good marriage—they’re kinda dysfunctional even without Don cheating. And their union, let’s remember, resulted from a rash decision that smelled like disaster from the start. (You’re sexy and free-spirited and a good babysitter who taught my kids to sing in French! Let’s get married! … No.) The last season’s worth of things working out surprisingly OK for Don and Megan has felt to me like a long-drawn-out honeymoon phase before the real consequences materialize: the consequences for Megan of marrying a closed-off, controlling guy like Don who doesn’t think the rules apply to him, and the consequences for Don of impulsively marrying a younger, more forward-thinking woman he never knew that well in the first place.
Out in Westchester County, meanwhile, Betty remains awful. Not in the deliciously hateable way of seasons past, though: If last season brought us Fat Betty, thus far it looks like this season’s incarnation might be Lonesome and/or Weird Betty.
Without her prized good looks, Don’s ex-wife has become a more melancholy figure overall—almost to the point where, when she makes misguided attempts to reach out and be a caring mother to someone (not to her own children, naturally, but to her daughter’s friend Sandy and then to a couple of teenage urban squatters), it almost tugs on a sympathetic heartstring or two. When she makes an equally misguided, off-color remark to her husband about willingly assisting him if he ever wants to rape Sandy, of course, it’s tougher to feel sorry for her. But that remark, coupled with Henry’s troubled reaction to it and her odd guerrilla mothering elsewhere in the episode, also hints that Betty’s interpersonal-relations calibration might be off—seriously, alarmingly off.
One relationship I’m thrilled to see has survived, though, is the unemphasized, totally delightful rapport between Peggy and Stan. (Did that scene on the phone remind you guys of that scene from the third season of The Office where Jim and Pam stay late into the night in their respective offices chatting on the phone about what Jim’s missed since transferring to Stamford?) The bickering “work-spouse” dynamic they’ve enjoyed ever since that pivotal “Let’s get liberated” naked brainstorm in the fourth season is a refreshingly uncomplicated man-woman relationship by Mad Men standards, and in an episode full of heavy-duty symbolism (but what did that soldier’s lighter resurrecting from the trash mean?) and multi-layered subtext (“jumping-off point”?!), their telephone banter was a cute, funny palate cleanse.
Amy, what’s your takeaway on this moody season premiere? How do you feel about the newly sorta-sad twist on Betty Francis’s awfulness? And are Megan and Don doomed?
Sullivan: Can we agree that Matthew Weiner was most likely deeply traumatized as a child by a Mean Girl named Betty? At this point, the character really only makes sense if she is the product of some elaborate, protracted revenge fantasy. Yes, Ashley, we’ve gone from Awful Betty to Fat Betty to WTF Betty. (I think Henry Francis spoke for all of us when he responded to the world’s worst attempt at dirty talk with, “Betty! What the hell?!”)
I’m with Maureen Ryan: Enough. We get it. Betty is and always will be a spoiled yet desperately sad adolescent with a few misfiring synapses. When Betty encourages Sally’s friend Sandy to play a song for the family, her phrasing is typically awkward: “I love to hear you play the violin. It makes me feel so much.” I was immediately reminded of her weird comment at the Thanksgiving table last season: “I’m thankful that I have everything I want and no one else has anything better.” So untrue and also so weird.
Is it too much to hope that the scene in which Betty gets pulled over for reckless driving is foreshadowing for some deadly, fiery crash several episodes hence? It’s not that her character deserves such a fate, but I’m tired of watching her manipulated into a bizarre figure who doesn’t fit in the Mad Men universe. Also, I think I may be permanently scarred by that bedroom scene. I want to wash my ears out with soap.
For my money, that was the episode’s biggest revelation: Don has a friend!
Betty did, however, give us the first of several fun callbacks in this episode. During the late-night talk with Sandy in the kitchen, when the girl admits that she didn’t get into Juilliard, Betty immediately suggests she elide the truth by telling people she wanted to finish high school first. Even the jaded teenager is surprised by how easily Betty supplies the response. “It’s incredible how fast some people come up with lies,” she says, which is almost exactly what Betty said to Don in season two when he came up with a cover story on the fly for her to give their kids to hide the fact that she had asked him to move out.
Other callbacks:
- Don running the slideshow of his Hawaiian vacation with Megan—a very different set of memories than the one he presented at the end of the first season for the Kodak “carousel” presentation.
- Don tossing his cookies at Roger’s mother’s funeral brought back memories of Roger hurling in the old Sterling Cooper offices after the famous oysters and martini lunch.
- Don’s pitch for the Royal Hawaiian Hotel campaign had to have been at least somewhat inspired by that walk into the Pacific Ocean he took in season two after going AWOL from work and family for a few days. Some early reviews of this episode suggested that the underwhelming hotel ad pitch was a sign that Don’s talent is slipping. I suspect that it was more an honest instance of the cracks showing between how normal people think and who Don is. This is a man who believes he killed off his earlier self and started over, who craves being able to do that again and again. And he doesn’t truly understand that most people don’t want that.
Overall, although I enjoyed the episode, it felt like one of Weiner’s more heavy-handed outings—an episode that will make more sense only after we’ve watched the next four or five. There was PFC Dinkins’s line to Don: “I believe that what goes around comes around.” (Don had better hope that’s not true.) And Don’s completely unhelpful report back to his colleagues on the Royal Hawaiian experience: “I don’t know how to put it into words.” (Unfortunately, as that’s precisely what he’s paid to do.) The photographer’s instructions to Don were hardly subtle: “I just want you to be yourself.” And Don’s protest about the oven cleaner campaign—”Why are we contributing to the trivialization of the word ['love']?”—is rich coming from the man sleeping with his friend’s wife.
For my money, that was the episode’s biggest revelation: Don has a friend! At least until the good Dr. Rosen gets out of another surgery early and finds his neighbor in his bed.
Are you both as eager as I am for an appearance by young master Harris? If I’m calculating the dates correctly, this season starts not quite two years after the previous one ended, which means Joan and Roger’s son is a toddler now. With that lineage, I expect this kid to be the most dashing, wise-cracking preschooler on the eastern seaboard.
Article source: http://www.theatlantic.com/entertainment/archive/2013/04/the-mad-men-season-6-premiere-fat-betty-has-become-wtf-betty/274746/
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Categories: Fat Loss Diary Tags: Breaking Bad, Fat Betty, Mad Men, National Journal
Matthew Weiner on What’s Next for That Fat Ass Betty Draper
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Mad Men‘s Betty Draper has never been a very sympathetic character. While we’re able to forgive many of Don’s transgressions, it’s harder to come to terms with Betty’s because she’s such a charmless, immature, seemingly slight woman of that time.
L.A. Weekly‘s Ali Trachta sat down with series creator Matthew Weiner to talk about Betty, and what’s up with the recently chubs mom of the year.
It would seem, then, that Betty can’t win. Never a likable character, she has always elicited audience disapproval, even as the victim of Don’s philandering. In the earlier seasons, Weiner observed a hostility toward Betty for being so beautiful and being cheated on. Audiences perceived her as an idiot, he thought, or felt she deserved it somehow. Perhaps had she been “a little dumpier,” he says, “there would be a different attitude toward her.”
That’s an interesting point, but a woman can’t really win when she’s being cheated on. If she’s attractive, people assume it’s because she’s a withholding ice queen, and if she’s not, then the man was just looking for a hotter piece on the side. Except, those excuses are just bullshit — it’s because the cheater is a fucking wuss who’d rather live a lie than deal with their life.
Weiner goes on to say that the fat suit won Betty little sympathy, and that gaining weight meant losing her value. “She’s lost her job,” as Weiner describes it, “which is being beautiful.”
Therein lies the richness of the story Weiner is poised to tell through Betty. “What’s fascinating is that giving her this blow to her vanity,” he explains, “this compulsion, this self-destructive impulse, this physical representation of her unhappiness, really kind of opened up the character.”
“She loves Henry,” he says, “she has the husband she always wanted. He’s secure, he’s loyal, he’s ambitious, he has a lot of status, she’s living in a mansion, her children are going to private school – it’s all the things that she wanted because she’s very concerned about the outside world.” Yet with all her needs supposedly met, Betty is still, as Weiner puts it, “a melancholy dame. What’s going on inside her?”
It’s precisely this sense of being unfulfilled, caught in between, left behind by a changing world, that Betty must now face. When success for women solely meant being thin, young, beautiful and married, the world made sense to Betty. Now it doesn’t. “She has a sense of these rules,” Weiner explains, “and people are always breaking these imaginary rules, but she’s living by them.”
It’ll be interesting to see where they take her when the show returns on April 7 — will Betty descend into further depression and destructive tendencies or will she get with the times? It’s also worth noting that Betty’s weight gain doesn’t make her any less desirable than her personality already does. Sure, she’s a little older and a little heavier, but if the woman would get herself together, she could still work it out. She’s still got that face and she could rock some sexy fat curves, but who knows if Betty has it in her. I guess the key part is whether or not she can access the internal strength and courage to live in a changing reality, and that’s never been Betty’s strong suit.
Weiner says Betty “has a big season,” coming up — which could mean more screen time or a much fatter Betty Draper — so we’ll have to wait and see. Any guesses?
Article source: http://jezebel.com/5993237/matthew-weiner-on-whats-next-for-that-fat-ass-betty-draper
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Categories: Fat Loss Diary Tags: Betty Draper, Mad Men, Matthew Weiner, Weekly Ali Trachta
Fresh Air Weekend: ‘Whitey Bulger,’ ‘Salt Sugar Fat’ And Historical Language
An early mug shot shows James “Whitey” Bulger in 1953. (Boston Police)
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Whitey Bulger Bio Profiles Boston’s Most Notorious Gangster: Reporters Kevin Cullen and Shelley Murphy, who covered Bulger for years for The Boston Globe, have a new book out about the career criminal. Bulger was wanted for 19 murders when he was captured by the FBI in 2011. He faces trial in June.
How The Food Industry Manipulates Taste Buds With ‘Salt Sugar Fat’: From food scientists who study the human palate to maximize consumer bliss, to marketing campaigns that target teens to hook them for life on a brand, Pulitzer Prize-winning journalist Michael Moss’ new book goes inside the world of processed, packaged goods.
Historical Vocab: When We Get It Wrong, Does It Matter?: We’re living in an age obsessed with authenticity, says linguist Geoff Nunberg, but we often choose to nitpick the wrong details. Whether it’s Downton Abbey, Mad Men, Lincoln or Argo, Nunberg argues, a historical novel or screenplay should give us a translation, not a transcription.
You can listen to the original interviews here:
Copyright 2013 NPR. To see more, visit http://www.npr.org/.
Article source: http://www.wbur.org/npr/173167336/fresh-air-weekend-whitey-bulger-salt-sugar-fat-and-historical-language
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Categories: Fat Loss Diary Tags: Does It Matter, Downton Abbey, Fresh Air Weekend, Mad Men
Fresh Air Weekend: ‘Whitey Bulger,’ ‘Salt Sugar Fat’ And Historical Language
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Enlarge image i
An early mug shot shows James “Whitey” Bulger in 1953.
Boston Police
An early mug shot shows James “Whitey” Bulger in 1953.
Boston Police
Whitey Bulger Bio Profiles Boston’s Most Notorious Gangster: Reporters Kevin Cullen and Shelley Murphy, who covered Bulger for years for The Boston Globe, have a new book out about the career criminal. Bulger was wanted for 19 murders when he was captured by the FBI in 2011. He faces trial in June.
How The Food Industry Manipulates Taste Buds With ‘Salt Sugar Fat’: From food scientists who study the human palate to maximize consumer bliss, to marketing campaigns that target teens to hook them for life on a brand, Pulitzer Prize-winning journalist Michael Moss’ new book goes inside the world of processed, packaged goods.
Historical Vocab: When We Get It Wrong, Does It Matter?: We’re living in an age obsessed with authenticity, says linguist Geoff Nunberg, but we often choose to nitpick the wrong details. Whether it’s Downton Abbey, Mad Men, Lincoln or Argo, Nunberg argues, a historical novel or screenplay should give us a translation, not a transcription.
You can listen to the original interviews here:
Article source: http://www.npr.org/2013/03/02/173167336/fresh-air-weekend-whitey-bulger-salt-sugar-fat-and-historical-language
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Categories: Fat Loss Diary Tags: Does It Matter, Downton Abbey, Fresh Air Weekend, Mad Men
Going to the Fat Farm With Dad
Dawn Lerman and her younger sister spent the summer of 1974 at a “fat farm” with their overweight father.
My dad was a brilliant ad man in the “Mad Men” era, responsible for such iconic slogans as “Coke Is It,” “Leggo My Eggo,” and “Fly the Friendly Skies of United.” He also was extremely overweight.
When I was 10, he got his big career break as the international creative director at a top ad firm in New York City. The only wrinkle was his weight. His appearance was not what the agency wanted to project, especially since he would be working on high-profile glamorous accounts.
His bosses sent him on a six-month paid medical leave to Duke University’s “fat farm,” where he was expected to drop a significant amount of weight. He left in March, and when summer break hit, we flew down to Durham, N.C., to join him. Family members were expected to be supportive, which meant my mother, my younger sister, April, and I would be eating in the dining room with my father and the other dieters, even though none of us were overweight.
By the time we arrived, we had not seen my dad for several months, and we were amazed to see he had lost close to 100 pounds. He said he thought about food all the time but felt great. I remember feeling relieved that maybe traveling with him now wouldn’t be so difficult. He normally took up two seats on an airplane or a bus. He definitely looked as if now he could fit in one seat.
He appeared healthy, happy and tan, and was swimming and writing his award-winning slogans from the pool. It looked like he was having a ball. His fellow dieters included a who’s who of comedians, actors and bigwig business people. They were bopping around in the pool and visiting the local malls where they walked laps wearing pedometers. Nighttime felt a little more desperate, as the dieters looked for amusing ways to avoid thinking about their growling stomachs. I remember one comedian swapping apple juice for urine in the specimen containers that were required to be left outside the door at night.
It was the fanciest place my sister and I had ever stayed. Every meal was a special occasion. Three times a day, people dressed as if they were going to an event. My sister and I just wore sundresses and sandals, since they were a little lax on the dress code with children, but there were no exceptions to the menu. We ate the same meal as everyone else. Breakfast was a bowl of white rice with either a piece of canned peach or pineapple. With lunch came a bowl of white rice with three ounces of dry chicken and a little bit of stewed tomatoes. Dinner consisted of — you guessed it — white rice and three ounces of fish with no seasoning.
The white rice gave me a stomachache, but I quite liked the plain fish and chicken. It was a low-sodium, low-fat diet. Nothing had salt or oil, and it made a huge difference in my health. Whenever I ate something salty, I swelled up. “I’m dizzy and my toes are popping out of my shoes,” I would tell my mother. But she was skeptical. “You’re being picky,” she would say. Maybe she didn’t want to change our meals at home, which mainly consisted of salty prepackaged frozen foods or greasy fast food.
But at Duke, I talked to a dietitian about my strange symptoms and she diagnosed my iodine sensitivity. I have never added salt to my food since.
Although I was fine with the strict fat-farm food, my mother and my sister were getting sick of it. Once a week we went off campus to a restaurant that Duke University had approved. I remember my father putting some kind of weird stick in his soda to make sure it was really a diet soda. The stick turned colors if the beverage contained sugar. I remember one meal when we ordered grilled mushrooms and grilled white fish. It was the best meal my family ever had together, then and now.
There are two things I remember most about my month on the fat farm: the validation and relief I felt when the dietitian diagnosed my problems with salt, and the experience of sitting down to three meals a day with both of my parents at a table. That had never happened before.
When we came back from the fat farm, my mother was horrified to learn she had gained 10 pounds. She immediately went back to her usual pattern of eating one small meal a day while talking on the phone and pursuing acting jobs. Although my father’s weight eventually crept back on, he learned some healthy eating habits that he was able to maintain for a while, and for the first time in his life, he was able to shop in a regular department store.
My sister and I started a new school year with lots of stories to share and a new appreciation for what was missing from our lives. We pinky-swore that when we were grown-ups, we always would eat with our children — seated at the table.
Dawn Lerman is a New York-based health and nutrition consultant and founder of Magnificent Mommies, which provides school lectures, cooking classes and workshops. Her series on growing up with a fat father will appear on occasional Fridays on Well in June and July.
Article source: http://well.blogs.nytimes.com/2012/06/22/going-to-the-fat-farm-with-dad/
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Categories: Fat Loss Diary Tags: Dawn Lerman, Duke University, Mad Men, Magnificent Mommies
Going to the Fat Farm With Dad
Dawn Lerman and her younger sister spent the summer of 1974 at a “fat farm” with their overweight father.
My dad was a brilliant ad man in the “Mad Men” era, responsible for such iconic slogans as “Coke Is It,” “Leggo My Eggo,” and “Fly the Friendly Skies of United.” He also was extremely overweight.
When I was 10, he got his big career break as the international creative director at a top ad firm in New York City. The only wrinkle was his weight. His appearance was not what the agency wanted to project, especially since he would be working on high-profile glamorous accounts.
His bosses sent him on a six-month paid medical leave to Duke University’s “fat farm,” where he was expected to drop a significant amount of weight. He left in March, and when summer break hit, we flew down to Durham, N.C., to join him. Family members were expected to be supportive, which meant my mother, my younger sister, April, and I would be eating in the dining room with my father and the other dieters, even though none of us were overweight.
By the time we arrived, we had not seen my dad for several months, and we were amazed to see he had lost close to 100 pounds. He said he thought about food all the time but felt great. I remember feeling relieved that maybe traveling with him now wouldn’t be so difficult. He normally took up two seats on an airplane or a bus. He definitely looked as if now he could fit in one seat.
He appeared healthy, happy and tan, and was swimming and writing his award-winning slogans from the pool. It looked like he was having a ball. His fellow dieters included a who’s who of comedians, actors and bigwig business people. They were bopping around in the pool and visiting the local malls where they walked laps wearing pedometers. Nighttime felt a little more desperate, as the dieters looked for amusing ways to avoid thinking about their growling stomachs. I remember one comedian swapping apple juice for urine in the specimen containers that were required to be left outside the door at night.
It was the fanciest place my sister and I had ever stayed. Every meal was a special occasion. Three times a day, people dressed as if they were going to an event. My sister and I just wore sundresses and sandals, since they were a little lax on the dress code with children, but there were no exceptions to the menu. We ate the same meal as everyone else. Breakfast was a bowl of white rice with either a piece of canned peach or pineapple. With lunch came a bowl of white rice with three ounces of dry chicken and a little bit of stewed tomatoes. Dinner consisted of — you guessed it — white rice and three ounces of fish with no seasoning.
The white rice gave me a stomachache, but I quite liked the plain fish and chicken. It was a low-sodium, low-fat diet. Nothing had salt or oil, and it made a huge difference in my health. Whenever I ate something salty, I swelled up. “I’m dizzy and my toes are popping out of my shoes,” I would tell my mother. But she was skeptical. “You’re being picky,” she would say. Maybe she didn’t want to change our meals at home, which mainly consisted of salty prepackaged frozen foods or greasy fast food.
But at Duke, I talked to a dietitian about my strange symptoms and she diagnosed my iodine sensitivity. I have never added salt to my food since.
Although I was fine with the strict fat-farm food, my mother and my sister were getting sick of it. Once a week we went off campus to a restaurant that Duke University had approved. I remember my father putting some kind of weird stick in his soda to make sure it was really a diet soda. The stick turned colors if the beverage contained sugar. I remember one meal when we ordered grilled mushrooms and grilled white fish. It was the best meal my family ever had together, then and now.
There are two things I remember most about my month on the fat farm: the validation and relief I felt when the dietitian diagnosed my problems with salt, and the experience of sitting down to three meals a day with both of my parents at a table. That had never happened before.
When we came back from the fat farm, my mother was horrified to learn she had gained 10 pounds. She immediately went back to her usual pattern of eating one small meal a day while talking on the phone and pursuing acting jobs. Although my father’s weight eventually crept back on, he learned some healthy eating habits that he was able to maintain for a while, and for the first time in his life, he was able to shop in a regular department store.
My sister and I started a new school year with lots of stories to share and a new appreciation for what was missing from our lives. We pinky-swore that when we were grown-ups, we always would eat with our children — seated at the table.
Dawn Lerman is a New York-based health and nutrition consultant and founder of Magnificent Mommies, which provides school lectures, cooking classes and workshops. Her series on growing up with a fat father will appear on occasional Fridays on Well in June and July.
Article source: http://well.blogs.nytimes.com/2012/06/22/going-to-the-fat-farm-with-dad/
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Categories: Fat Loss Diary Tags: Dawn Lerman, Duke University, Mad Men, Magnificent Mommies
Well: Going to the Fat Farm With Dad
Dawn Lerman and her younger sister spent the summer of 1974 at a “fat farm” with their overweight father.
My dad was a brilliant ad man in the “Mad Men” era, responsible for such iconic slogans as “Coke Is It,” “Leggo My Eggo,” and “Fly the Friendly Skies of United.” He also was extremely overweight.
When I was 10, he got his big career break as the international creative director at a top ad firm in New York City. The only wrinkle was his weight. His appearance was not what the agency wanted to project, especially since he would be working on high-profile glamorous accounts.
His bosses sent him on a six-month paid medical leave to Duke University’s “fat farm,” where he was expected to drop a significant amount of weight. He left in March, and when summer break hit, we flew down to Durham, N.C., to join him. Family members were expected to be supportive, which meant my mother, my younger sister, April, and I would be eating in the dining room with my father and the other dieters, even though none of us were overweight.
By the time we arrived, we had not seen my dad for several months, and we were amazed to see he had lost close to 100 pounds. He said he thought about food all the time but felt great. I remember feeling relieved that maybe traveling with him now wouldn’t be so difficult. He normally took up two seats on an airplane or a bus. He definitely looked as if now he could fit in one seat.
He appeared healthy, happy and tan, and was swimming and writing his award-winning slogans from the pool. It looked like he was having a ball. His fellow dieters included a who’s who of comedians, actors and bigwig business people. They were bopping around in the pool and visiting the local malls where they walked laps wearing pedometers. Nighttime felt a little more desperate, as the dieters looked for amusing ways to avoid thinking about their growling stomachs. I remember one comedian swapping apple juice for urine in the specimen containers that were required to be left outside the door at night.
It was the fanciest place my sister and I had ever stayed. Every meal was a special occasion. Three times a day, people dressed as if they were going to an event. My sister and I just wore sundresses and sandals, since they were a little lax on the dress code with children, but there were no exceptions to the menu. We ate the same meal as everyone else. Breakfast was a bowl of white rice with either a piece of canned peach or pineapple. With lunch came a bowl of white rice with three ounces of dry chicken and a little bit of stewed tomatoes. Dinner consisted of — you guessed it — white rice and three ounces of fish with no seasoning.
The white rice gave me a stomachache, but I quite liked the plain fish and chicken. It was a low-sodium, low-fat diet. Nothing had salt or oil, and it made a huge difference in my health. Whenever I ate something salty, I swelled up. “I’m dizzy and my toes are popping out of my shoes,” I would tell my mother. But she was skeptical. “You’re being picky,” she would say. Maybe she didn’t want to change our meals at home, which mainly consisted of salty prepackaged frozen foods or greasy fast food.
But at Duke, I talked to a dietitian about my strange symptoms and she diagnosed my iodine sensitivity. I have never added salt to my food since.
Although I was fine with the strict fat-farm food, my mother and my sister were getting sick of it. Once a week we went off campus to a restaurant that Duke University had approved. I remember my father putting some kind of weird stick in his soda to make sure it was really a diet soda. The stick turned colors if the beverage contained sugar. I remember one meal when we ordered grilled mushrooms and grilled white fish. It was the best meal my family ever had together, then and now.
There are two things I remember most about my month on the fat farm: the validation and relief I felt when the dietitian diagnosed my problems with salt, and the experience of sitting down to three meals a day with both of my parents at a table. That had never happened before.
When we came back from the fat farm, my mother was horrified to learn she had gained 10 pounds. She immediately went back to her usual pattern of eating one small meal a day while talking on the phone and pursuing acting jobs. Although my father’s weight eventually crept back on, he learned some healthy eating habits that he was able to maintain for a while, and for the first time in his life, he was able to shop in a regular department store.
My sister and I started a new school year with lots of stories to share and a new appreciation for what was missing from our lives. We pinky-swore that when we were grown-ups, we always would eat with our children — seated at the table.
Dawn Lerman is a New York-based health and nutrition consultant and founder of Magnificent Mommies, which provides school lectures, cooking classes and workshops. Her series on growing up with a fat father will appear on occasional Fridays on Well in June and July.
Article source: http://well.blogs.nytimes.com/2012/06/22/going-to-the-fat-farm-with-dad/?partner=rss&emc=rss
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Categories: Fat Loss Diary Tags: Dawn Lerman, Duke University, Mad Men, Magnificent Mommies
Fat Betty Was Mad Men’s Most Genius Idea
Just when I was getting used to having that dreamy, complex bastard, Don Draper, back in my life, he’s gone again. I confess that when Mad Men finally returned, I was underwhelmed. It seemed slow; we had to put so many pieces back together after so long. It was like seeing your very best friends from high school 20 years later, then realizing that, once you got through the “Oh. My. God.” hello’s and hugfest, you didn’t have much to say to each other anymore because too much time had passed. Reworking the connections is taxing, and who needs that with a TV show?
Right out of the gate, the “Zou Bisou Bisou” debacle concerned me. I was worried that Megan and Don would turn into a cliched plot, another standard midlife-crisis-relationship-gone-wrong story with a predictable outcome. It turns out that their dysfunction transcends cliche. Thank god. I should know better than to expect cliche from the man who also helped birth Tony Soprano.
So, let’s discuss. I’ll tell you what I think, and then you clog up the comments section with what you think. Feel free to disagree. This is only one woman’s opinion.
1. I can’t be the only one who sees Tony Soprano in Don Draper. Though Don exists in a different walk of life, he’s a white-collar gangster. Are they not two of the most malignantly immoral protagonists in the history of protagonists? Sometimes they go into remission, but most of the time they’re terminally depraved. A very Sopranoesque sequence was when Don dismissively threw money in Peggy’s face and told her to go to Paris, even though she was the one who saved the account and deserved to go to Paris. An episode later she resigns, and he takes her hand and kisses it. Can anyone describe the kiss? My take: not exactly paternal, not exactly romantic, perhaps remorseful because he’s losing one of the few people who grounds him.
2. Cool Joan is a hot mess. There isn’t a bra with enough hooks to contain all of her new foibles. Awkward Moment of the Season Award is her staying in the partners’ meeting as a partner, not a secretary. Even the extraneous characters are impeccably played against her, like Herb, the hairy Jaguar douche. Couldn’t you feel his wormy fingers when he put the emerald necklace on her? Joan’s mother, also a peripheral character, is perfectly and superbly annoying and dumb. The placement of her in this season subtly reveals more about Joan; her mother is who Joan doesn’t want to become, a woman who depends on the attention of men for her survival.
3. Fat Betty was genius. She could have easily been written in as pregnant, since January Jones really was. Betty’s bossy husband, Henry, would be all for having her barefoot and tied down, but wasn’t it better to see her cheat on her cigarette diet and binge her way right under her covers?
4. Roger is supposed to be the cliche, and isn’t he the best? Only a man-hack like Roger could trip on acid and manipulate his wife at the same time. His interlude with Megan’s mother at the advertising awards dinner (as seen by Sally) is classic man whore. Can you think of a better-played player than Roger?
5. Sally under the settee. The best example yet of why the self-absorbed Drapers should’ve remained childless is their daughter snowed on sleeping pills and passed out under a piece of furniture. Poor Sally became a woman, just as she was learning that most of the adults in her life are crackpots.
6. Peter is a prick. This isn’t a revelation. He’s been an arrogant, condescending, frat boy since season one, but this season he’s outdone himself. It’s not just the pimping, the hookers, and his general failure to take responsibility for his my-life-isn’t-what-I-thought-it-would-be crisis, but the true declaration of his cowardice was when he left Lane’s body in the noose. Peter is best at making everything about him.
Sort of like the premiere, the finale was vague and loose, and I think this was intentional. Mad Men doesn’t subscribe to a formula plot that’s always leaving us on the edge of our seats. Instead, the story is told through finely nuanced characters and how they constantly grapple with their insecurities and disappointments with themselves and others.
What now on Sunday nights? Definitely not summer TV. I’d rather play Bananagrams with my dog.
Article source: http://blogs.phillymag.com/the_philly_post/2012/06/12/fat-betty-mad-mens-genius-idea/
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Categories: Fat Loss Diary Tags: Don Draper, Fat Betty, Mad Men, Tony Soprano
Fat Betty Draper Video Goes Viral

AMC’s madly addictive and popular show “Mad Men” has garnered attention for lots of things over the past few years; Don Draper’s double life has always been a topic of water-cooler conversation, as have the electric curves of actress Christina Hendricks, who plays Joan Holloway on the show. The episode in which an unfortunate client gets his foot sheared off by a wayward John Deere tractor–in the office, no less–is still regarded as one of the best moments in recent television.
But perhaps the breakout hit to come from this season–which is only four episodes in–is Fat Betty Draper, which has spawned a song that parodies “Black Betty” by Ram Jam. “Fat Betty” has gone viral and is interspersed with scenes from the episode which addresses Betty Draper’s trip to the doctor and subsequent cancer scare.
It may be the fact that Betty is notoriously self-absorbed that makes her weight gain such a wickedly gleeful moment for us “Mad Men” fans; I can’t help but recall a scene in the first season in which Sally, Betty and Don’s daughter, runs into the kitchen with a dry-cleaning bag over her head and Betty calls her over sternly. The viewer fully expects the kid to get reamed for being so careless with a dangerous plastic bag, but Betty surprises us.
“Sally Draper,” she says between puffs on her cigarette, “If the clothes from that dry cleaning bag are laying on the floor of my closet, you’re going to be a very sorry young lady.”
This negligent parenting moment seems to sum up Don’s ex-wife in a small, sad way, and it’s probably a factor in the sick satisfaction some fans got from seeing her get the news from her doctor that she was going to be okay.
“Nice to be put through the ringer,” she says to her husband, “And find out I’m just fat.”
Article source: http://www.webpronews.com/fat-betty-draper-video-goes-viral-2012-04
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Categories: Fat Loss Diary Tags: Fat Betty Draper, John Deere, Mad Men, Sally Draper

